A stopped bedroom with a raking ceiling, its window looking out over a Central Otago valley

Reviews

Judged by the rooms.

Name: Creamie Interiors
Address: Queenstown, Otago, New Zealand
Telephone: 022 543 1583
Rating: 5

A wall is easy to photograph well and hard to live with badly. These are the verdicts that count: from the people living with the walls.

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What clients say

Couldn't recommend Creamie Interiors enough. They worked to schedule, and finished the project to a high standard. The owner Lochie having a background in building really made the process seamless.
Reece & Colleen Potter

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Where a job gives itself away.

Four surfaces that will not hide bad work: side light, a ceiling, a room full of glass, and a hallway walked past a hundred times a week. A verdict on a plaster job is made on these, months after the last coat.

A wall lit from the side
Light coming across a surface instead of straight at it turns every joint and every screw into a shadow. It is how we check our own work before the painter arrives, and it is how the room checks it afterwards.
A ceiling
Nobody looks at a ceiling until they are lying under one, and then they look at nothing else. There is no furniture up there and nothing on the walls to pull the eye away from it.
A room full of glass
Big glazing means the light moves all day and comes at the walls from a different angle every hour. A finish that only holds up at noon is not a finish.
A hallway
Narrow, lit from one end, and walked past more often than any other surface in the house. Nothing in a hall is ever more than an arm away from your eye.
A wall lit from the side
Light coming across a surface instead of straight at it turns every joint and every screw into a shadow. It is how we check our own work before the painter arrives, and it is how the room checks it afterwards.
A ceiling
Nobody looks at a ceiling until they are lying under one, and then they look at nothing else. There is no furniture up there and nothing on the walls to pull the eye away from it.
A room full of glass
Big glazing means the light moves all day and comes at the walls from a different angle every hour. A finish that only holds up at noon is not a finish.
A hallway
Narrow, lit from one end, and walked past more often than any other surface in the house. Nothing in a hall is ever more than an arm away from your eye.
A wall lit from the side
Light coming across a surface instead of straight at it turns every joint and every screw into a shadow. It is how we check our own work before the painter arrives, and it is how the room checks it afterwards.
A ceiling
Nobody looks at a ceiling until they are lying under one, and then they look at nothing else. There is no furniture up there and nothing on the walls to pull the eye away from it.
A room full of glass
Big glazing means the light moves all day and comes at the walls from a different angle every hour. A finish that only holds up at noon is not a finish.
A hallway
Narrow, lit from one end, and walked past more often than any other surface in the house. Nothing in a hall is ever more than an arm away from your eye.

A wall is judged long after we leave.

A wall you stop noticing is the whole job.

The verdict lands months later

Nobody can review a plaster job on the day. The verdict lands months later, on an afternoon when the sun comes in low across a wall and either finds the joints or does not.

Low sun striping across a stopped wall and ceiling in an empty room

And the rest is how we were in the house

The rest of it is the time we were in the house: whether the dates held, whether the place stayed liveable, and whether anyone had to chase us for an answer. That is what the same crew from the first sheet of board to the last sand is for. One team on site, one number to ring, and the surface checked in hard light before anyone calls it finished.